The playwright of “Dance Nation” and “You Got Older” on how theater is a way for her to work through her own personal issues, and why she wants men to be more in touch with their bodies.
The producer of “Jagged Little Pill” on putting together a benefit in the midst of a pandemic and what Broadway can learn from film and TV.
An audio version of Aleshea Harris’ tale of revenge brings out new layers that make the play feel more urgent than ever.
Jenna Worsham and Catya McMullen created Homebound to benefit No Kids Hungry, providing nourishment for hungry children and for artists in need of purpose.
The CEO of National Black Theatre talks about programming during COVID, NBT’s Vision Forward Fund, and how she stays hopeful.
The playwright talks about the new Kilroys List, her play “72 Miles to Go” and how she wants to use art to create empathy for undocumented immigrants.
You love his performances in “Fun Home,” “Oedipus El Rey,” and “Bob & Carol & Ted & Alice,” now meet Mr. Pérez, the playwright.
By casting actors of color as historical white figures, the two musicals give drastically different interpretations of history and who gets to tell a story.
How two Afro/Black-Latinx artists got together to create a new commission and festival to celebrate their community.
After a health scare, the Pulitzer-winning playwright is finding joy by producing Bard at the Gate—plays that she would love to see if she ran a theater.